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Archive for the month “November, 2012”

Predictions of the Oscar Best Animated Feature 2013

Predictions of the Oscar Best Animated Feature 2013

I have been following a bit on the oscars news and i am surprsied that 21 films are shortlisted for Best Animated feature for that year… So far it have an interesting mix of film genres that year.

Now here is my thoughts for which films would be nominated for the Oscar for Best Animated Feature



Yes I am a sucker for that movie and Pixar took it up to a notch on dealing with its first female protagonist and of course the landscapes are beautiful. I think it would get that nomination because of the story and the gorgeous animation here

A Liar’s Autobiography – The Untrue Story of Monty Python’s Graham Chapman

It came to me as a surprise,I have been a Python fan for quite a while and seeing the trailer for the film. I am pretty impressed by the vast animation styles here. I think they translated the Pythonesque humor so well in their animated styles. I am hoping they would release that film into my country


The stop-motion animation is too wonderful and I love those winks of horror movies.

Rise of The Guardians

Just watched this with my sister the other day,holy poop……I thought Brave was amazing. ROTG took the cake for its animation. I was entralled by the opening sequence and it gets better in every second. However I think it have a stiff competition with Brave on the technical aspect. However the story in Guardians is a little cliche (But I overlook it in my watching). So it was a difficult decision for me to decide which of these animated features are good because both have different qualities which I liked.


From Up on Poppy Hill

It probably get in because it was a Ghibi film (Oscars have been nominating these countries over the years including the winner for 2002 Best Animated feature-Spirited Away which I don’t deny it). I heard it was directed by Goro Miyasaki (Hayao Miyasaki’s son). I watched one of his films and found it damn terrible. I heard lots of good things about this film but I need to see it

So these are my five for now as I did not watch the rest. So what do u think which films would be nominated for Best Animated Feature?


Asians in David Lean films update


Hey guys….now that my schoolwork is done. (Thank God that I managed to complete my Wizard of Oz essay). I would be working on this article for a local film magazine called cinematheque on the look at David Lean’s visions in Asians. Research wise,it is not too bad despite the Internet’s lack in analysis of Lean’s works. Problem is fleshing out on what I want to write,I am struggling in going for a less formal tone and content wise. However it was fun revisiting my favorite director n how I look it in an Asian perspective. Will keep you updated as soon as possible

Hitchcock and fashion

Ok Hitchcock may not be the fashion icon that come to our minds when we always associated style in the movies with well..the stars like Audrey Hepburn or Johnny Depp.. However his films like Rear Window, Vertigo and A man who knew too much will be in the list of films that have style. Who remember Grace Kelly’s gorgeous dress that she got from the runaways of Paris in Rear Window or Cary Grant’s saville row suits and perhaps tippa’s green suit in the birds? I do and today I will be looking on how Hitch’s films influence fashion designers in creating collections.

Now let’s look at the process of how Edith Head collaborate with Hitchcock in his films,it was seen that both are on the same page when it comes to fashion taste and it was Hitch’s films that show her best works. In the blog post “LFF blog: The same cloth – Edith Head and Alfred Hitchcock” Edith Head was ostracized for her conservative taste in design,in Hollywood but it was that conservative taste that make Head “an education in restraint“. She sees costume as a narrative device even to the littlest details,l remember that I was researching on Rear Window’s costumes,that Grace Kelly’s bracelet is somewhat similar to Ms Lonleyhearts which hinted a possible outcome for the relationship between Lisa and Jeff.

Or that suit that Madeline wore Iris Versey commented in her article “Costume & Identity in Hitchcock’s Vertigo” -“Madeleine is ultimately sexually unavailable. Scottie can never discover what Madeleine is like outside the drawing-room, not because she dies, but because ‘Madeleine’ does not exist. The costumes enhance this unavailability. They may fit and flatter, but they conceal Madeleine’s flesh beneath neat buttons and sharp tailoring.” It shows her restrained desire she gave to Scottie and also added that mysterious aura.

It was that power Hitchcock gave to his characters by their costumes that etched in our minds.

Now let’s look towards the present on how Hitch influence today’s fashion

Jill Sander did a playful twist with Hitchcockian fashion,with those sherbet colors.

Dolce and Gabanna hark back at the ladies,with the tweed suits which remind me of Vertigo.

Michael Kors based his fall 2008 collection on Melanie’s socialite clothing from The Birds.

While Kors goes for the subtle route for The birds,David Dixon did an interesting approach for the Birds by making the pheasant feathers as brooches (I would not mind getting one of them!).

Perhaps the only fashion that executed Hitchcock’s vision so well,is the late Alexander McQueen himself. There are two collections inspired by Hitchcock films his S/S 2001 (He was inspired by The Birds)

And then again his collection for S/S 2005 The Man Who Knew Too Much

I love the way he managed to borrow inspiration and executed beautifully in his exquisite tailoring.

And recently I found out that recently beauty products/looks are inspired by the icy Hitchcockian heroines!

Chanel Fall 2012 nail polish.

Well the men are wonderfully dressed in Hitchcock films,besides the ladies themselves. Cary Grant,Gregory Peck and Jimmy Stewart are wonderfully dressed and perhaps my ideal image of a perfect man.

My favourite men’s fashion moment in all of Hitchcock films,besides its well-taliored suits

Cary Grant’s casual outfit from To Catch a Thief,to me it was perfectly tres chic. A simple striped shirt and a red handkerchief to cover his neck,I don’t know why it shows Robie’s character as man who left his flamboyant days as a cat burglar. I read it somewhere that it hides Cary’s thick neck,as he disliked it and Cary Grant even trusted Hitchcock in his dressing. It was that eye of detail that make his films so classic apart from his clever storytelling.

Perhaps that is why people remember Hitchcock films so well,it was the high amount on detail in costume which the Hollywood moguls often neglected that made his films so classic. That amount of tailoring give to each character suits their character status so perfectly. Maybe that is why most fashion designers look back at his films as inspiration for their collections. It was the balance of ice and fire that make the designers intrigued by that wonderful world of Hitchcock

Tips for film essays

Tips for film essays

Hi is my post on doing film essays!

I will post this on my page

The dream makers-My reflection on Lord David Puttnam’s masterclass

“This is cinema, cinema, cinema, cinema, cinema. No other medium in the world can offer this.” -Lord David Puttnam

As I leave tonight after hearing his seminar, it feels like my inspiration battery has been charged. I can’t comprehend what a humble man he was,here is that guy who produced Oscar-winning films like Chariots of Fire and The Killing Fields. I really can’t, he seems so genuine and warm. Waiting for us patiently while the audio tech people are fixing the audio for the conference, telling us about how his family lovingly treated him for his flu and even joked that he wanted to get his coffee when my film head asked if we could have a break. Even though I went slightly off-tanget with my question because of my nervousness (Yes I could totally relate on Dortohy and her companions fear when seeing the grand Wizard of Oz) ,he gently directed me back to the question in asking if I wished Atticus (Gregory Peck) was my father,it struck me. I said yes ,and then I talked how Taymor’s Across The Universe changed my life. He said to me “Good girl,now you become my ally” Here the Lord David Puttnam said these words to me and I was shoke to the core with such awe.

He talked widely about that beauty of cinema and he made me ponder why I am here in this industry. As the first clip Pinocchio show to the audience, we are the dreamers who wanted to make everything come true through that beautiful world of film.  We wanted to put our experiences to entertain and relate.

Here are the few things that struck me from that seminar

  • Watching Mr Smith Goes to Washington clip

I swear that I wept my eyes off from watching this clip,at times I almost feel like giving my dream of doing film studies and that times I feel like that main protagonist. I can’t stand the bitchiness,I can’t stand the cynicism,I can’t stand the objection.I just want to throw the towel and go home. However they stay I must stay on because I believe in everything. I want to be in film preservation,telling my love for cinema to others. So it was a booster for me.

  • What are the films that have influenced you? Is there a film in your memory that has impacted you the way that East of Eden had impacted Lord David Puttnam?

Yes I died on the inside when I heard that he admire James Dean as his hero. Blame my fangirling on him,at last he linked something which I admired. James Dean,such an icon impacted this producer’s young life. Of course I wept again at the East of Eden ending as I recalled that time I watched it earlier. I could understand how it impacted me.

I thought of David Lean’s Lawrence of Arabia,I recalled watching Lawrence of Arabia for the first time on that weekend with my parents. This film really spoke me so heavily,I was awed by the cinematography that Freddie captured the hot desert,the romantic overture that still played in my mind and the wonderful performances by Peter O’Toole (I was so devastated when I heard he was retiring from acting) and Omar Sharif. I remember rewatching it for another time and that famous moment when O’Toole screamed “No Prisoners”. I nearly wept-here is that man looking for his identity,all lost. He lost his innocence and his view on himself. It consumed it so deadly to the point,he forget the sanity and just kill anyone. Even one of my favourite quotes stuck in my mind “Do you think I’m just anyone Ali do You?”,it was the summary of myself looking for my purpose. To me it shows the power of cinema,even though I do not have this background and I live in the city. It brings that romanticism to my screen and changed my perspective forever. I literary preached everyone to watch this,because it’s not often you seen a film in this scale like this.

  • How do you intend to insert your dreams into the movies you produce? Are there any of your own personal memories that you would like to see onscreen?

Well I admit,I am very terrible in the technical aspect of film. I am pretty hopeless in carrying heavy lights and cameras. I have no patience on the editing side. I have ideas but I cannot execute it well in screenwriting. I did not have much chances to get my directing dream. However I can execute my dreams onscreen is to give people my knowledge of cinema and learn how to love it. As Terence Davis recounted in his documentary “Of time and The City”- ” at seven,” he says, “I saw Gene Kelly in singin’ in the rain, and discovered the movies, loved them and and swallowed them whole. … musicals, melodramas, westerns: nothing was too rich or too poor for my rapacious appetite, and i gorged myself with a frequency that would shame a sinner.” I want people to just immerse themselves in their encounters in cinema,stop all rational thinking and go back to feeling it. I also wanted them to transport themselves into other worlds and just feel that moment. That emotion. Perhaps it was my dream. I want to see my world that there is hope in the bleakness of society,be free and of course be themselves.

  • Were there particular films from a technique point-of-view that were particularly influential over you? Was there a “light bulb” moment when you decided to be a filmmaker?

Well asides giving the obvious answers like To Kill A Mockingbird,Across The Universe and Lawrence of Arabia. I would say that recently I am crazy over Wong Kar Wai,to me he restored my faith in Asian films. I dunno why the way he filmed his shots to create that longing,the use of music like how he played “California Dreamin'” for Chungking Express. It feels fresh yet so relatable. I was having a personal soul-searching journey when I watched WKW’s films-he know how to relate to my loneliness and hurt I have from the past. Then I am in my Wes Anderson phase,on how he make characters so relatable. I swear that my family is a Wes Anderson-esque type. I am having phases in my film life:I love my David Lean films and escaping to the romanticism with him,like his characters was shook to the core by Ingmar Bergman’s films on his views on life and death,I was touched by Bresson’s minimalist films that speak volumes. I was moved by Wong Kar Wai,I laughed with Wes Anderson. I just absorb what I love about them and exploit on my own. Along these phases,I found out that I am better in film studies. I want to learn about them and how it influenced so many filmmakers like me. I see,by watching films you are a better filmmaker as my old man said.

I realize that perhaps we have tough times,but we wanted our dreams to come through,as they show that ending clip of Cinema Paradiso. We wanted it to be captured forever. That is the beauty of film. We wanted to be submerged in that world and just come back out of the screening-a fresh outlook on life.

Here are some quotes from  filmmakers on why they chose film

“I like to make films because I like to go into another world. I like to get lost in another world. And film to me is a magical medium that makes you dream…allows you to dream in the dark. It’s just a fantastic thing, to get lost inside the world of film.”-David Lynch

“Movies touch our hearts and awaken our vision, and change the way we see things. They take us to other places, they open doors and minds. Movies are the memories of our lifetime, we need to keep them alive.”-Martin Scorsese (Interestingly one of my dreams is to join Marty’s charity for film preservation and it is always heart-tugging for me)

“The most expensive habit in the world is celluloid, not heroin, and I need a fix every two years.”-Steven Spilberg

Perhaps that is that damn reason why I wanted to enter that magical and mysterious world of film. I want to encapsulate memory and time. I want to be lost in that world for an hour or so. I want people to see my memories onscreen and last of all as I summarised it in my favourite film quote.“I am a film addict,absolutely crazy about cinema”. I love film and damn well enjoy that ride. I thank Lord Puttnam for igniting my fire on why I love cinema. It was indeed a humbling experience coming from a man who produced well-acclaimed films

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